Montreal studio Supersystème — Eveline Lupien and Marie-France Gaudet — organise their practice around a single question: how can typography operate simultaneously as language and image? Across identities, publications and posters for arts institutions, letterforms become puzzle pieces, mass, and structure rather than a delivery mechanism for copy. The studio works in a deliberate ping-pong rhythm, passing files mid-process so the work emerges in the space between them.
